{"id":31,"date":"2022-05-12T09:38:34","date_gmt":"2022-05-12T07:38:34","guid":{"rendered":"https:\/\/atlantedelgiallo.unilink.it\/?page_id=31"},"modified":"2025-03-13T12:34:05","modified_gmt":"2025-03-13T11:34:05","slug":"pubblicazioni","status":"publish","type":"page","link":"https:\/\/atlantedelgiallo.unilink.it\/index.php\/pubblicazioni\/","title":{"rendered":""},"content":{"rendered":"\n<div class=\"wp-block-query alignwide is-layout-flow wp-block-query-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>SPECIAL ISSUES <\/strong><\/h2>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-f56f613f wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"576\" data-src=\"https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2024\/08\/copertina-sito-crime-unmasked-1024x576.png\" alt=\"\" class=\"wp-image-1071 lazyload\" data-srcset=\"https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2024\/08\/copertina-sito-crime-unmasked-1024x576.png 1024w, https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2024\/08\/copertina-sito-crime-unmasked-300x169.png 300w, https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2024\/08\/copertina-sito-crime-unmasked-768x432.png 768w, https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2024\/08\/copertina-sito-crime-unmasked-1536x864.png 1536w, https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2024\/08\/copertina-sito-crime-unmasked.png 1920w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/576;\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Arianna Vergari e Giulia Scomazzon (a cura di),<span style=\"color: #993300;\"><strong><em>\u00a0<\/em><\/strong><a style=\"color: #993300;\" href=\"https:\/\/cinergie.unibo.it\/issue\/view\/1302\"><strong><em>Crime Unmasked: Exploring the Morphologies of Italian Giallo through Transnational Influences and Intermedial Hybridization<\/em><\/strong><\/a><\/span>, &#8220;Cinergie. Il cinema e le altre arti&#8221;, n. 25, 2024<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-f56f613f wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"800\" height=\"540\" data-src=\"https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2024\/11\/diabolik.jpg\" alt=\"\" class=\"wp-image-1295 lazyload\" data-srcset=\"https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2024\/11\/diabolik.jpg 800w, https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2024\/11\/diabolik-300x203.jpg 300w, https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2024\/11\/diabolik-768x518.jpg 768w\" data-sizes=\"(max-width: 800px) 100vw, 800px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 800px; --smush-placeholder-aspect-ratio: 800\/540;\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Federico Pagello, Matteo Pollone e Lorenzo Di Paola (a cura di), <span style=\"color: #993300;\"><strong><em>Crime Comics in Italy: Seriality, Intermediality, Authorship<\/em><\/strong><\/span>, &#8220;La valle dell&#8217;Eden. Semestrale di cinema e audiovisivi&#8221;, n. 46-47, 2025 (forthcoming)<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-f56f613f wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"800\" height=\"540\" data-src=\"https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2024\/11\/giallo-eden.png\" alt=\"\" class=\"wp-image-1304 lazyload\" data-srcset=\"https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2024\/11\/giallo-eden.png 800w, https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2024\/11\/giallo-eden-300x203.png 300w, https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2024\/11\/giallo-eden-768x518.png 768w\" data-sizes=\"(max-width: 800px) 100vw, 800px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 800px; --smush-placeholder-aspect-ratio: 800\/540;\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Luisella Farinotti e Paola Valentini (a cura di), <span style=\"color: #993300;\"><em><strong>Visual Patterns in Crime Representation: Images, Shapes, and Figures of the Italian Giallo<\/strong><\/em><\/span>, &#8220;La valle dell&#8217;Eden. Semestrale di cinema e audiovisivi&#8221;, n. 46-47, 2025<br \/>(forthcoming)<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>ARTICOLI SU RIVISTA<\/strong><\/h2>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-f56f613f wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"615\" data-src=\"https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2022\/05\/signora-in-giallo-1024x615.webp\" alt=\"\" class=\"wp-image-638 lazyload\" data-srcset=\"https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2022\/05\/signora-in-giallo-1024x615.webp 1024w, https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2022\/05\/signora-in-giallo-300x180.webp 300w, https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2022\/05\/signora-in-giallo-768x462.webp 768w, https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2022\/05\/signora-in-giallo-1536x923.webp 1536w, https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2022\/05\/signora-in-giallo.webp 1920w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/615;\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Valentina Re e Marica Spalletta, <span style=\"color: #993300;\"><a style=\"color: #993300;\" href=\"https:\/\/doi.org\/10.26350\/001200_000177\"><em><strong>Unsuitable jobs for women. Women\u2019s Behind-the-Scenes Employment and Female On-Screen Representation in Italian TV Crime Drama<\/strong><\/em><\/a><\/span>, &#8220;Comunicazioni sociali&#8221;, n. 1, 2023, pp. 82-97<\/p>\n<p>\u00a0<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>CONTRIBUTI IN VOLUME<\/strong><\/h2>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-f56f613f wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"612\" height=\"558\" data-src=\"https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2024\/10\/tognazzi-maria-sole-.png\" alt=\"\" class=\"wp-image-1186 lazyload\" data-srcset=\"https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2024\/10\/tognazzi-maria-sole-.png 612w, https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2024\/10\/tognazzi-maria-sole--300x274.png 300w\" data-sizes=\"(max-width: 612px) 100vw, 612px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 612px; --smush-placeholder-aspect-ratio: 612\/558;\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Valentina Re e Marica Spalletta,<span style=\"color: #993300;\"> <a style=\"color: #993300;\" href=\"https:\/\/publishing.mediamutations.org\/pub\/gb0imimp\/release\/5\"><em><strong>Women Behind the Scenes: A Data-Driven Approach to Analyse Female Labour in Italian Television<\/strong><\/em><\/a><\/span>, in Giorgio Avezz\u00f9 e Marta Rocchi (a cura di), <em>Audiovisual Data. Data Driven Perspectives for Media Studies. 13th Media Mutations International Conference, <\/em>Media Mutations Publishing, Bologna 2023, pp. 65-86<\/p>\n<p>\u00a0<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>LIBRI<\/strong><\/h2>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-f56f613f wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"1292\" height=\"838\" data-src=\"https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2024\/11\/maigret-cervi.jpg\" alt=\"\" class=\"wp-image-1285 lazyload\" data-srcset=\"https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2024\/11\/maigret-cervi.jpg 1292w, https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2024\/11\/maigret-cervi-300x195.jpg 300w, https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2024\/11\/maigret-cervi-1024x664.jpg 1024w, https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2024\/11\/maigret-cervi-768x498.jpg 768w\" data-sizes=\"(max-width: 1292px) 100vw, 1292px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 1292px; --smush-placeholder-aspect-ratio: 1292\/838;\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Monica Dall\u2019Asta, Marco Grosoli, Federico Pagello (a cura di), <strong><span style=\"color: #993300;\"><i>Il caso non \u00e8 chiuso. I gialli letterari negli sceneggiati RAI: da Maigret alle miniserie degli anni Ottanta<\/i><\/span><\/strong>, Marsilio 2025 (forthcoming)<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-f56f613f wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"2338\" height=\"1314\" data-src=\"https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2024\/11\/Schermata-2024-11-12-alle-10.36.46-1.png\" alt=\"\" class=\"wp-image-1320 lazyload\" data-srcset=\"https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2024\/11\/Schermata-2024-11-12-alle-10.36.46-1.png 2338w, https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2024\/11\/Schermata-2024-11-12-alle-10.36.46-1-300x169.png 300w, https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2024\/11\/Schermata-2024-11-12-alle-10.36.46-1-1024x576.png 1024w, https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2024\/11\/Schermata-2024-11-12-alle-10.36.46-1-768x432.png 768w, https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2024\/11\/Schermata-2024-11-12-alle-10.36.46-1-1536x863.png 1536w, https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2024\/11\/Schermata-2024-11-12-alle-10.36.46-1-2048x1151.png 2048w\" data-sizes=\"(max-width: 2338px) 100vw, 2338px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 2338px; --smush-placeholder-aspect-ratio: 2338\/1314;\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Valentina Re e Arianna Vergari, <span style=\"color: #993300;\"><em><strong>Da Laura Storm a Lolita Lobosco. Sulle tracce delle investigatrici nella televisione italiana<\/strong><\/em><\/span>, Carocci 2026 (forthcoming)<\/p>\n<p>\u00a0<\/p>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>EDIZIONI CRITICHE<\/strong><\/h2>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-f56f613f wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"334\" height=\"512\" data-src=\"https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2025\/03\/unnamed.png\" alt=\"\" class=\"wp-image-1397 lazyload\" data-srcset=\"https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2025\/03\/unnamed.png 334w, https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2025\/03\/unnamed-196x300.png 196w\" data-sizes=\"(max-width: 334px) 100vw, 334px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 334px; --smush-placeholder-aspect-ratio: 334\/512;\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Claudio Nizzi, Giancarlo Alessandrini, <strong><span style=\"color: #993300;\"><i>Rosco &amp; Sonny<\/i><\/span><\/strong>, a cura di Roberto Guarino e Claudio Nizzi; con un&#8217;introduzione di Roberto Guarino e un saggio di Diego Del Pozzo, Allagalla 2024<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-f56f613f wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"339\" height=\"512\" data-src=\"https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2025\/03\/unnamed.jpg\" alt=\"\" class=\"wp-image-1398 lazyload\" data-srcset=\"https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2025\/03\/unnamed.jpg 339w, https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2025\/03\/unnamed-199x300.jpg 199w\" data-sizes=\"(max-width: 339px) 100vw, 339px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 339px; --smush-placeholder-aspect-ratio: 339\/512;\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Tiziano Sclavi, Giancarlo Alessandrini, <span style=\"color: #993300;\"><strong><i>Steve\u00a0<\/i><i>Vandam<\/i><\/strong><\/span>, cura e introduzione di Roberto Guarino e Matteo Pollone, Allagalla 2024<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-f56f613f wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"1125\" height=\"1600\" data-src=\"https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2025\/03\/JOHNSON-cop.jpeg\" alt=\"\" class=\"wp-image-1399 lazyload\" data-srcset=\"https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2025\/03\/JOHNSON-cop.jpeg 1125w, https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2025\/03\/JOHNSON-cop-211x300.jpeg 211w, https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2025\/03\/JOHNSON-cop-720x1024.jpeg 720w, https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2025\/03\/JOHNSON-cop-768x1092.jpeg 768w, https:\/\/atlantedelgiallo.unilink.it\/wp-content\/uploads\/2025\/03\/JOHNSON-cop-1080x1536.jpeg 1080w\" data-sizes=\"(max-width: 1125px) 100vw, 1125px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 1125px; --smush-placeholder-aspect-ratio: 1125\/1600;\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Ottavio De Angelis, Rodolfo Torti, Corrado Mastantuono, <span style=\"color: #993300;\"><strong><i>Johnson e altre storie nere<\/i><\/strong><\/span>, a cura di Roberto Guarino e Matteo Pollone; con un&#8217;introduzione di Ottavio De Angelis e un saggio di Rocco Moccagatta, Allagalla 2025<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>SPECIAL ISSUES Arianna Vergari e Giulia Scomazzon (a cura di),\u00a0Crime Unmasked: Exploring the Morphologies of Italian Giallo through Transnational Influences and Intermedial Hybridization, &#8220;Cinergie. Il cinema e le altre arti&#8221;, n. 25, 2024 Federico Pagello, Matteo Pollone e Lorenzo Di Paola (a cura di), Crime Comics in Italy: Seriality, Intermediality, Authorship, &#8220;La valle dell&#8217;Eden. Semestrale [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-31","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>- Atlante del giallo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/atlantedelgiallo.unilink.it\/index.php\/pubblicazioni\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"- Atlante del giallo\" \/>\n<meta property=\"og:description\" content=\"SPECIAL ISSUES Arianna Vergari e Giulia Scomazzon (a cura di),\u00a0Crime Unmasked: Exploring the Morphologies of Italian Giallo through Transnational Influences and Intermedial Hybridization, &#8220;Cinergie. Il cinema e le altre arti&#8221;, n. 25, 2024 Federico Pagello, Matteo Pollone e Lorenzo Di Paola (a cura di), Crime Comics in Italy: Seriality, Intermediality, Authorship, &#8220;La valle dell&#8217;Eden. 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